Don’t Trouble the Trouble Movie Review

Release Date: October 2, 2026
Starring: Fahadh Faasil, Ssara Palekar, Saurabh Sachdeva, Mahesh Manjrekar and others
Director: Shashank Yeleti
Producers: Shobu Yarlagadda, Prasad Devineni, S. S. Karthikeya
Music Director: Kaala Bhairava
Cinematographer: Brad Francis
Editor: Praveen Anthony

Story:

Soori (Fahadh Faasil) is an orphan who is constantly looking for ways to make quick money. After cheating local gangster Aslam Bhai (Mahesh Manjrekar), he is given just two days to arrange Rs. 25 lakh. While struggling to find the money, he meets Divya (Ssara Palekar), a runaway girl from a wealthy family who believes Soori is a great magician and asks for his help. Seeing an opportunity to escape his financial troubles, Soori joins her journey. As they travel together, Divya’s real intentions and Soori’s changing attitude gradually become central to the story.

Plus Points:

Fahadh Faasil brings a refreshing change to his filmography by taking on a full-fledged fantasy comedy. His comic timing, expressive performance and Telugu dialogue delivery work well, particularly in the lighter portions. Ssara Palekar makes an impressive Telugu debut and shares a natural rapport with Fahadh. Their combination scenes, along with the lively beagle accompanying them, provide some of the film’s more entertaining moments. Mahesh Manjrekar makes an impact despite limited screen time, while Saurabh Sachdeva adds interest through his unconventional character.

Minus Points:

The film loses some of its novelty because the promotional material has already revealed much of the core premise. Although a few individual scenes work, the screenplay struggles to maintain interest throughout. The emotional element intended for the climax has sincerity, but its delayed arrival tests the audience’s patience. The central conflict lacks sufficient strength, making the narrative predictable early on. The police investigation track in the second half, repetitive comedy and logical inconsistencies further affect the pace. Several supporting characters are also underused.

Technical Aspects:

Director Shashank Yeleti attempts to create a fantasy comedy with a whimsical, fairy-tale-like tone, but the execution and writing could have been stronger. The fantasy elements do not always translate effectively onto the screen. Brad Francis captures the urban setting neatly through his cinematography. Kaala Bhairava’s background score adds energy to the lighter portions and helps sustain the film in places. Praveen Anthony’s editing could have been sharper, as trimming some lengthy sequences would have improved the overall pace. The production values are decent.

Verdict:

Overall, Don’t Trouble the Trouble works only in parts as a fantasy comedy. Fahadh Faasil puts in considerable effort to carry the film, while Ssara Palekar makes a pleasant impression in her Telugu debut. However, predictable writing, weak emotional stakes, a stretched second half and repetitive portions affect the overall impact. Children may find the magical premise entertaining, while adult viewers may connect with only a few portions. Expectations are best kept moderate.