‘Veerabhadrudu’ Movie Review – Has Suriya Managed to Impress with This Fantasy Courtroom Drama?

Release Date: May 15, 2026

Cast: Suriya, Trisha Krishnan, RJ Balaji, Indrans, Natty, Mansoor Ali Khan, Swasika, Sshivada, Anagha Maya Ravi, Supreeth Reddy and others

Director: RJ Balaji

Producers: S R Prakash Babu, S R Prabhu

Music Director: Sai Abhyankkar

Cinematographer: G K Vishnu

Editor: R Kalaivanan

Story:

The story begins with a helpless father and daughter arriving in Hyderabad from Tamil Nadu for medical treatment. Their bag containing gold meant for surgery expenses gets stolen. Though the police recover the jewels, the family faces legal hurdles in reclaiming them. Baby Krishna, a corrupt lawyer played by RJ Balaji, exploits the family in the name of legal fees. Soon, Veerabhadra Swamy, portrayed by Suriya, enters the scene to restore justice. The film follows how the divine force attempts to reform the flawed judicial system while living among humans.

Plus Points:

The biggest strength of Veerabhadrudu is Suriya’s screen presence, which brings energy and intensity whenever he appears on screen. The emotional scenes involving the father and daughter work well and add some depth to the narrative. The first half contains a few engaging courtroom and drama sequences that keep the audience invested. G K Vishnu’s cinematography offers visually rich frames, while some fantasy elements and mass moments may appeal to commercial cinema lovers.

Minus Points:

• The film suffers from a clichéd storyline and an unrealistic courtroom setup that lacks authenticity. The second half becomes overly dramatic and directionless once the fantasy elements take over. Several scenes feel exaggerated, with lawyers behaving more like gangsters than legal professionals. The screenplay loses grip as the narration progresses, and the loud background score further weakens the impact. Despite an interesting concept, the execution fails to make the story convincing.

• Inconsistent screenplay and excessive cinematic liberties

Technical Department:

G K Vishnu’s cinematography gives the film a visually appealing look. Sai Abhyankkar’s music and background score fail to leave a strong impact, especially in the Telugu version. RJ Balaji’s concept appears interesting on paper, but the writing and execution lack conviction. The editing also feels uneven in several portions.

Verdict:

Veerabhadrudu starts on a decent note with an emotional setup and a few engaging moments, but gradually loses grip due to its exaggerated fantasy elements and unrealistic courtroom proceedings. Despite Suriya’s presence and some watchable scenes, the film ultimately turns into a disappointing and tedious experience.

Rating: 3/5